{"id":719,"date":"2023-11-20T19:07:57","date_gmt":"2023-11-20T19:07:57","guid":{"rendered":"https:\/\/kinolab07.co\/?page_id=719"},"modified":"2026-05-15T04:55:32","modified_gmt":"2026-05-15T04:55:32","slug":"monica-4","status":"publish","type":"page","link":"https:\/\/kinolab07.co\/?page_id=719","title":{"rendered":"MONICA"},"content":{"rendered":"\n
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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Monica<\/strong><\/p>\n\n\n\n

Super-8, 16mm – 2006<\/h6>\n\n\n\n
Directed by<\/h6>\n\n\n\n
Enrico Mandirola<\/h6>\n\n\n\n
  <\/h6>\n\n\n\n

A matter lived in spiral that goes across time.<\/p>\n\n\n\n

Images, support of a journey lived in solitary restlessness, the images slide on the screen writing their own memory. A document that tells about a place, a memory, a feeling. The space is captured at the moment in which it isappears in order to transform itself in image. Details, looks, actions, are broken up so they slide on the screen. Territory becomes a pretext to speak about oneself, to tell the story of one\u2019s own life. Time, images, sounds and rhythms become an abstract and documental conception of movement and visions. The tool between the hands, the and, the feeling to be working with a presence that is nothing but the sliding of time. Touch and rhythm are then adapted to the body, desires, and projections of ghosts.<\/p>\n\n\n\n


\u201cThe body is a balloon that a child blows to all breath…\u201d<\/p>\n\n\n\n


We do not change anything, we model a matter following a trace, we complete a process began before, goodness knows when!!<\/p>\n\n\n\n

Sometimes we discover.<\/p>\n\n\n\n

In the detail, we \ufb01 nd the reasons for a choice, a picture, a look. We follow the track of details?<\/p>\n\n\n\n

Of traces? We are seeking without pause, but at the same time, we allow things to occur on their own. We work the second generation of images because we have created the \ufb01 rst, and third, and fourth… Which is the \ufb01rst?<\/p>\n\n\n\n

We work the stages, a circularity in spiral. We take part physically, mechanically, repetitively.<\/p>\n\n\n\n

We reproduce the action, the work, the movement, but incredibly, each time, everything returns to being new. Therefore, we do not reproduce anything, but we observe, we live, we share some photogram with the tool.<\/p>\n\n\n\n


\u201cHe crosses the world as the stone crosses the water…\u201d<\/p>\n\n\n\n

The black. The transformation of light in light\u2019s absence.<\/p>\n\n\n\n

Water, liquid, the mixture of the elements in order to arrive at the layer, the level. It is not an attempt to remove or to add, but rather, to go across in order to \ufb01 nd equilibrium. It is the beginning of the instability that we can \ufb01x, that we try to \ufb01x, but that as everything : time, passage, look, will destabilize again. It does not depend on us, it\u2019s a limit, and it \u2019s a limit, and it\u2019s this limit that allows us to go on.<\/p>\n\n\n\n

It is not an attempt to erase, to exceed, but to be here in each instant of the confontation. If we erase death, life does not make sense, if we achieve perfection, we are dead.<\/p>\n\n\n\n

In the Laboratory i found the alchemy of time.<\/p>\n\n\n\n

My images wish want to speak about this.<\/p>\n\n\n\n

First of all, a place, a shelter perhaps, but a shelter to open and to be opened and not to close or to be closed.<\/p>\n\n\n\n

A speci\ufb01 c time does not exist, it is the temple of the job, where we are confronted with the limits of freedom, our limits.<\/p>\n\n\n\n

We choose the speed, 9i, iXi, 18i… We choose the economy. We choose the colors. There is nothing new in the art that we practice,<\/p>\n\n\n\n

at least not before the art, perhaps before the rest… we do not have a \u201cplace\u201d, and we are not dislocated or ousted, unless we decide to be. We touch freedom, and it is our task to \ufb01 nd its aesthetic.<\/p>\n\n\n\n

We have the image and its responsibility. If I make this choice it is simply because \u201cit speaks to me\u201d, because I believe, because I have the intention to defend and to create the present memory of a \u201cgeneration\u201d of images… little matter which one it is.<\/p>\n\n\n\n

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Screenings:<\/strong><\/p>\n\n\n\n

 24th Torino Film Festival 2006<\/p>\n\n\n\n

53th International Film Festival Oberhausen – 2007<\/p>\n\n\n\n

Indipendent Film Show – 2007<\/p>\n\n\n\n

 TIFF 2007 – Toronto International Film Festival – WaveLenght<\/p>\n\n\n\n

Mencion de Honor at Fincortex 2007 – Colombia<\/p>\n\n\n\n

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